Dullah Bhatti Wala,

Ho

Dulleh ne dheeh Viahi,

Ho

Ser Shakar Payee ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

 Flay Diljit for using indecent words in his songs




More than 500 activists of the Istri Jagrati Manch today staged a dharna in front of the house of Punjabi singer Diljit here. The Punjabi singer faced the wrath of women activists for his alleged vulgar song "15 Saal ton ghatt kudiye" in his upcoming album.

It is unfortunate that all the colour and vivacity of everyday life in Punjab has vanished on account of partition. Those happy memories still linger in the minds of Punjabis who are above fifty years old. Only some families of Mirasis survive around Ludhiana and Jalandhar while the rest have given up their ancient art and have moved over to some other jobs to earn livelihood.

Phulkari, an embroidery technique from the Punjab in India and Pakistanliterally means flower working, which was at one time used as the word for embroidery, but in time the word “Phulkari” became restricted to embroidered shawls and head scarfs. Simple and sparsely embroideredodini (head scarfs) and shawls, made for everyday use, are calledPhulkaris, whereas garments that cover the entire body, made for special and ceremonial occasions, are known as Baghs ("garden").

Phulkaris and Baghs were worn by women all over Punjab during marriagefestivals and other joyous occasions. They were embroidered by the women for their own use and use of other family members and were not for sale in the market. Thus, it was purely a domestic art which not only satisfied their inner urge for creation but brought colour into day to day life. In a way, it was true folk art. Custom had grown to give Phulkaris and Baghs to brides at the time of marriages. Some best Phulkaris and Baghs are known to have been made in Hazara and Chakwal, areas of Northern Punjab inPakistan.


Some scholars feel that the art of Phulkari came from Iran where it is known as “Gulkari”. Some feel it came from Central Asia along with Jattribes who migrated to India and settled in Punjab, Haryana and Gujarat. There is reference of Phulkari in Vedas, Mahabharat, Guru Granth Sahib and folk songs of Punjab. In its present form, phulkari embroidery has been popular since the 15th century.

The main characteristics of Phulkari embroidery are use of darn stitch on the wrong side of coarse cotton cloth with coloured silken thread. Punjabi women created innumerable alluring and interesting designs and patterns by their skilful manipulation of the darn stitch. The basekhaddar cloth used in Western Punjab is finer from those of Central Punjab. Black/blue are not preferred in Western Punjab, whereas white is not used in East Punjab. In West Punjab, 2 or 3 pieces of cloth are first folded and joined together. In East Punjab, they are joined together first and then embroidered.

In Phulkari embroidery ornaments the cloth, whereas in Bagh, it entirely covers the garment so that the base cloth is not visible. The end portion of pallav of Phulkari have separate panels of exquisite workmanship of striking design.

The most favoured colour is red and its shades, because Bagh and Phulkari are used during marriage and other festivals. Red is considered auspicious by Hindus and Sikhs. Other colours are brown, blue , black, white. White was used in Bagh by elderly ladies. Silk thread in strands came from Kashmir, Afghanistan and Bengal. The best quality silk came from China.


No religious subject or darbar scenes were embroidered. Phulkari encompassed life in the villages. Creative ability of Punjabi women has produced innumerable and intricate geometrical patterns. However, most motifs were taken from everyday life. Wheat and barley stalk with ears are a common motif.